However, it is important to respect the glyph preference of each region. The smaller the number of unified glyph shapes, the larger the number of glyphs that need to be contained in the font, and the smaller opportunity to reduce the file size of the font. As more glyph shapes are unified between the regions, the total number of glyphs that need to be included in the font becomes smaller, which can help to reduce the file size of the font. If there are glyph shapes that cannot be unified with one other, we need to decide which glyph shapes belonging to which regions need to be preserved. Then, by comparing the preferred glyph shapes for each character, we need to decide whether it is possible to unify any glyphs or not (especially when the differences between the glyphs are very subtle). On the other hand, there is not such a region-dependent glyph shape difference for the character “一” (meaning the number “one”).įirst, for each character, it is necessary to clarify the most standard and preferred glyph shape for each region. For example, the most preferred glyph style for the ideographic character “骨” (meaning “bone”) is represented differently between its Simplified Chinese glyph “骨” used in China, Traditional Chinese glyph “骨” used in Taiwan, and Japanese/Korean glyph “骨”. Until the Pan-CJK font was realized, it had been necessary to obtain a region-specific font for each region, separately, due to the differences in glyph set and glyph style preference between the regions in East Asia. #ORIENTAL FONT ADOBE FONT KIT LICENSE#Adobe and Google released Source Han Sans and the Google-branded Noto Sans CJK as open source font families in 2014, with licensing conditions based on Open Font License version 1.1. Even when you need to produce a multilingual document or publication requiring region-specific ideographic glyph variations, a Pan-CJK typeface like Source Han Sans provides good design consistency. The Japanese version of this article is posted on the Creative Station blog.Īdobe and Google co-developed Source Han Sans, which was a Pan-CJK type family - meaning it could be used in the five main regions in East Asia: China (using Simplified Chinese ideographs), Hong Kong, Taiwan (using Traditional Chinese ideographs), Japan, and Korea. For information regarding other uses of Source Han Serif Traditional Chinese, see copyright and license details for Source Han Serif TC ExtraLight, Source Han Serif TC Light, Source Han Serif TC Regular, Source Han Serif TC Medium, Source Han Serif TC SemiBold, Source Han Serif TC Bold, and Source Han Serif TC Heavy.This is a continuation from a previous post. #ORIENTAL FONT ADOBE FONT KIT FREE#You're free to use it with your Adobe Fonts account just as you would any other font in the Adobe Fonts library. Source Han Serif Traditional Chinese is available via an open source license. Typefaces released as Adobe Originals are the result of years of work and study, regarded as industry standards for the ambition and quality of their development. Today the Type team’s mission is to make sophisticated and even experimental typefaces that explore the possibilities of design and technology. The Adobe Originals program started in 1989 as an in-house type foundry at Adobe, brought together to create original typefaces of exemplary design quality, technical fidelity, and aesthetic longevity.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |